Class code: 23974
Class Meetings: Tuesday-Thursday, March 20-May 22 except: April 1, May 13. Holidays:
3/31; 4/14-20; 5/16
Final Exam Week: May 17-23 (Portfolios due via e-mail by Saturday, May
24).
Drop date: May 3 (w/W)
http://web.peralta.edu/admissions/2013/09/spring-2014-academic-calendar/
Syllabus for English 1B: College
Composition and Reading Course
http://poeticsrapandtothersocialdiscourses.blogspot.com/
English 1B is a transferable college writing course. It builds on the
competencies gained in English 1A with a more careful and studied analysis of
expository and argumentative writing based on readings of selected plays,
poems, novels, and short fiction.
Writing is a social activity, especially the type of writing students will be
doing here. We always consider our audience, have purpose or reason to write,
and use research to substantiate our claims, even those we are considered
experts in.
We’re supposed to write about 8000 words or so at this level course. The 8000
words over the semester (not per essay) include drafts. What this amounts to is
time at home writing, time in the library on campus and public libraries too.
Students will be researching, and reading documents to increase his or her
facility with the ideas or themes he or she is contemplating, before he or she
once again sits at his or her desk writing, revising, and writing some more.
Writing is a lonely process. No one can write for you. The social aspect comes
into play once you are finished and you have an opportunity to share.
We are practicing skills which you developed in English 1A. The difference is
we are looking at literature and analyzing other genres, in our case: poetry,
fiction, and dramatic literature or plays. In order to do justice to the topics
you chose to explore, the writer cannot ignore the history of the genre nor its
current discourses or new roots.
I will be looking at the writing, but more than this I will be paying attention
to the scholarship, which is why each essay has to include a citation from a
scholarly article—4-10+ pages.
Your essays can use multiple styles . . . be creative. However, I need to know
that you know how to write an essay, so save the creative work for last
(smile). And if you plan to deviate from the norm, don’t surprise me, share the
idea with me first.
We are going to read a book or play every week. We start with plays, then short
fiction and then move into a novel, weaving poetry throughout the semester as
this class the two plays happen to reference poets. We will conclude with a formal look at poetry.
I am going to show you film(s) about writers. We finish the class with students
selecting writing outside of the assigned readings and writing a research
analysis based on the work. The selection can be two short poems or a longer
one, a novel, another play or a short story.
On Thursdays we will have critiques when an essay is due. We will practice
writing research analyses. Students will grade each other based on a rubric.
Here are links to general rubrics for college level composition:
http://www.elcamino.edu/faculty/jjung/eng1b/rubric1b.pdf
http://www.sjsu.edu/people/julie.sparks/courses/engl1Bspr2012/s2/English%201B%20Rubric%20filled%20in.docx.
Office Hours
I am a phone person, so when I give you my telephone number, use it. My office
is D-219, located in a suite of offices numbered from D-216. My office phone
number is: 510-748-2286.
We can set aside time in class for office hours, either before or at the end.
If you are a poor writer, get a tutor. We will have minimal revisions, like
none unless the essay is horrible—students only get 1-2 BAD ESSAY DAYs (and the
penalty is writing a correction essay, plus revising the essay). We will do
peer reviews. I want to see polished work.
Methodology
We will use Reading and Writing
about Literature: A Portable Guide, Third Edition, Bedford St. Martin’s
(ISBN: 978-1-4576-0649-6) by Janet E. Gardner in the class. There is a chapter
for each genre of literature we will examine. We will review a chapter a week
or two. The first section of the book reviews the writing process.
Keep a reading log/journal/notes containing key ideas outlined for each
discussion section, along with vocabulary and key arguments listed, along with
primary writing strategies employed: description, process analysis, narration,
argument, cause and effect, compare and contrast, definition, problem solving.
I will collect these typed notes electronically with the completed essays. The
essays will be submitted electronically. Type all your notes and in-class
writing assignments.
I repeat: each book or play will have a corresponding essay. There will also be
a series of short 250 word essay responses posted on the class blog pertaining
to each piece of literature. Students have a choice of writing a new paper or
expanding the cyber-assignment into a longer work. Each research paper will be
between 3-4 pages long. This does not include a works cited page. Each essay
will have three (3) sources. The piece of writing examined plus two other
sources, one a scholarly article.
Again, the final is an oral presentation of one’s paper or a defense of one’s
thesis. You choose what the final essay is on. The student portfolio is the
FINAL for the class. We will talk about this more. If any students are creative
writers and want to lead a workshop, let me know (smile).
This semester, each student will have to attend a literary event of his or her
choosing: lecture or author event, play or film. We can attend an event
together or separately. The writing assignment will be an analysis/critique,
like a review . . . but a bit deeper. I suggest students read published reviews
beforehand to prepare for the task. This essay will be minimally two (2) pages
or 500 words, not including a works cited page with minimally two (2) sources.
All essays have to have 1 citation per page, so in the case of a two page
essay, that is two citations (period).
Essay research requirements
Each essay needs to use at least 2-3 outside sources which should include at
least one (1) scholarly article along with other material (taken from the COA
on-line Library Database (if possible). Each essay should also include one (1)
direct quote, one (1) free-paraphrase and one (1) block quote—one citation per
page—no more, no less (well I we can negotiate, but don’t let the citations get
out of hand, that is, overwhelm the paper).
Each essay also needs to include a works cited page and a bibliography. The
works cited page needs to be perfect. We will practice this in class. We will
write many of the shorter essays in class or for homework. The task should be
simple once students decide which four (4) elements they’d like to respond to
in depth. Since this is an eight hour a week class, expect eight hours of
homework (smile). 1 hour per unit is the calculation.
I am making an assumption that students know how to correctly document their
sources using MLA. Diana Hacker’s Rules for Writers or a similar text is
required (the MLA is up to 2009 now). At this level, I expect students to know
how to write passing essays at the first submission. Submit your best work the
first time. Don’t submit drafts, masquerading as polished work. I am serious.
Midterm
One of the essays will be the midterm, possibly fiction maybe poetry (smile).
Jot down briefly what your goals are this semester and action steps to get there.
Separate into what you can do alone or have control over and what you might not
have control over and why.
List them in order of importance.
1.
2.
3.
4.
5.
Homework Assignment 1: If you missed class, e-mail an introduction
to me by Thursday, March 27, 2014. Send to coasabirenglish1B@gmail.com This is our coursework email address.
Writing Homework
Assignment 2:
(Everyone respond to the following same due date, by Thursday, March 27, before
class):
What strengths do you bring to the class? What do you
hope to obtain from the course – any particular exit skills? What do I need to
know about you to help you meet your goals? What books have you read lately
(2-3) that take your breath away?
What is literature? Some say, literature feeds one’s soul. What do you think of
that? Could you imagine a world without poetry or stories, theatre or literary
arts? Do you ever find yourself craving a play or a museum visit, a trip to the
theatre or a film?
Homework Assignment 3:
Respond on the blog to the syllabus, so I have a record
of your reading it. Make sure you include examples from the syllabus to support
your points. The response is due by Tuesday, April 1, 2014.
Write a comment to me regarding the syllabus: your
impressions, whether you think it is reasonable, questions, suggestions. This
is our contract, I need to know you read it and understand the agreement.
Grading
Essays: 55 percent of grade
Short Story
1. 40 Short Essays: A Portable Anthology 4th Edition, Beverly
Lawn, Bedford St. Martin’s (ISBN: 978-1-4576-0475-1. Each unit includes the definitive essay, plus in-class writing,
group writing and blog assignments.
The Novel
2. Virgin Soul: A Novel by Judy Juanita or Sugaree Rising: A Novel by J. Douglas Allen-Taylor (1 essay). You only have to read one
book.
Dramatic Literature:
3. I and You by Lauren Gunderson
(loan) and perhaps W;t (also Wit) by American playwright Margaret
Edson which won the 1999
Pulitzer Prize for Drama.
You will have to purchase this book. (I saw it on
Amazon for under $.40). Students will also need a copy of Leaves of Grass by
Walt Whitman. It’s on-line.
Poetry Unit
4. The poetry and dramatic literature fold into
one another well this semester, so we will look at the Whitman, the American
freeverse tradition and the Romantic poets. Students will have an opportunity
to read a collection by a Northern Californian writers of his or her choice. I
will give you a list of authors.
5. Final essay –student choice
Portfolio: 25 percent
Participation: 20 percent
What do I mean by participation? This includes preparation and active
participation in group assignments, blog responses and posted comments;
discussion group preparedness, attitude and leadership. To post comments students
will need a Gmail account.
To encourage participation, and for this, students have to be prepared, I
weighed the preparedness and participation strongly which means I will be
taking notes when students do not do their homework. If you are in a group
where students are pretending to be prepared when they are not, drop me an
anonymous note. If a student is absent, he or she cannot make up in-class
assignments such as group work, freewrites, presentations, etc.
Portfolio Suggestion
Students can start a personal blog for the class and send me the link for your
portfolio at the end of the course. This is not the only type of portfolio. The
other is to submit a word document with the semester's writing.
Quizzes
I am not above pop quizzes on readings. Remember, this plan can change in a
twinkling of the eye, if we find it isn’t working.
Writing Center
The Writing Center is a great place to get one-on-on assistance on your essays,
from brainstorming and planning the essays, to critique in areas like clarity,
organization, clearly stated thesis, evidence or support, logical conclusions,
and grammatical problems. In the Writing Center there are ancillary materials
for student use. These writing programs build strong writing muscles. The Bedford Handbook on-line, Diana
Hacker’s Rules for Writers on-line,
Townsend Press, and other such computer and cyber-based resources are a few of
the many databases available. There is also an Open Lab for checking e-mail, a
Math Lab. All academic labs are located in the Learning Resource Center (LRC)
or library.
Again, students need a student ID to use the labs and to check out books. The
IDs are free. Ask in Student Services (A-bldg.) where photos are taken.
Have a tutor of teacher sign off on your essays before you turn them in; if you
have a “R,” which means revision necessary for a grade or “NC” which means “no
credit,” you have to go to the lab and revise the essay with a tutor or teacher
before you return both the graded original and the revision (with signature) to
me. Revise does not mean “rewrite,” it means to “see again.”
When getting assistance on an essay, the teacher or tutor is not an editor, so
have questions prepared for them to make best use of the 15-20 minute session
in the Lab. I will give you a handout which looks at 5 areas of the essay you
can use as a guide when shaping your questions for your peer review sessions.
Please use these guidelines when planning your discussions with me also.
For more specific assistance, sign up for one-on-one tutoring, another free
service. For those of you on other campuses, you can get assistance at the
Merritt College’s Writing Center, as well as Laney College’s Writing Labs.
Correction Essays & Essay Narratives
All essay assignments you receive comments on have to be revised prior to
resubmission; included with the revision is a student narrative to me regarding
your understanding of what needed to be done, that is, a detailed list of the
error(s) and its correction; a student can prepare this as a part of the Lab
visit, especially if said student is unclear over what steps to take. Cite from
a scholarly source the rule and recommendations for its correction.
Students can also talk to me before or after class. Do not leave class without
understanding the comments on a paper. I don’t mind reviewing them with you.
Student Learning Outcomes
Reading:
Recognize the
relevance of the power of story in the public and private sector
and use this
understanding to shape the outcomes of various situations and
projects.
Identify logical
fallacies in written materials in order to make effective decisions
and express ideas
clearly.
Critical Thinking:
Evaluate and use
evidence to support assertions, enhancing effectiveness as a
team member.
Writing:
Write coherent,
organized reports, summaries, evaluations, and records.
Articulate ideas
clearly so that all team members understand, thus moving a
project or a program
forward.
Last words on Grades
We will be honest with one another. Grades are not necessarily an honest
response to work; grades do not take into consideration the effort or time
spent, only whether or not students can demonstrate mastery of a skill – in
this case: essay writing. Grades are an approximation, arbitrary at best, no
matter how many safeguards one tries to put in place to avoid such ambiguity.
Suffice it to say, your portfolio will illustrate your competence. It will
represent your progress, your success or failure this semester in meeting your
goal.
Office Hours
I’d like to wish everyone much success. I am available for consultation on TTH
before class 11-12:30 by appointment. If you are very rusty with grammar, I using
Stewart Pidd Hates English. We can
review the assignments in the book before class if you buy the book. You can
also rent it in the COA bookstore which has ordered a few of the textbooks.
My office is again in the Suite D-215. This door is unlocked during class
hours. You can always call me if it is locked and we are meeting.
My email again is: coasabirenglish1B@gmail.com. Let me know the day
before, if possible, when you’d like to meet with me. I am more of a phone
person. Texts are fine. Ask me for my cell phone number. I do not mind sharing
it with you.
Take time to exchange email and phone numbers with classmates (2), so if you
have a concern, it can be addressed more expeditiously. Again study groups are
recommended, especially for those students finding the readings difficult;
don’t forget, you can also discuss the readings as a group in the Lab with a teacher
or tutor acting as facilitator.
I really am more a phone person than an email person, so you can call me if I
don’t respond to an email. I do read your blog posts.
These two months will fly, if you don’t buckle up (smile). Study groups are
recommended, especially for those students finding the readings difficult.
Keep a vocabulary log for the semester and an error chart (taken from comments
on essay assignments). List the words you need to look up in the dictionary,
also list where you first encountered them: page, book and definition, also use
the word in a sentence. You will turn this in with your portfolio
electronically.
I do not expect students to confuse literal with free paraphrase (a literal
paraphrase is plagiarism). Students should also not make confused word errors,
sentence fragment errors, comma splice errors, subject verb agreement errors,
errors in parallel structure, subject verb agreement errors, MLA citations
errors, errors with ellipses, formatting an essays—margins, headings, etc. If
you are not clear on what I mean, again I suggest drop the class and take it
over the 18 week semester at a more leisurely pace.
Students are expected to complete work on time. If you need more time on an
assignment, discuss this with me in advance to keep full credit. Again certain
assignments, such as in-class essays cannot be made up. All assignments are to
be typed, 12-pt. font, double-spaced lines, indentations on paragraphs, 1-inch
margins around the written work (see Hacker: The Writing Process; Document
Design.)
If you have a laptop, bring it
to class.
In class writing is to be written in ink—blue or black, then typed for
inclusion in portfolio or posting on blog: http://poeticsrapandtothersocialdiscourses.blogspot.com/
Cheating
Plagiarism is ethically abhorrent, and if any student tries to take credit for
work authored by another person the result will be a failed grade on the
assignment and possibly a failed grade in the course if this is attempted
again. This is a graded course.
Homework
If you do not identify the assignment, I cannot grade it. If you do not return
the original assignment you revised, I cannot compare what changed. If you
accidentally toss out or lose the original assignment, you get a zero on the
assignment to be revised. I will not look at revisions without the original
attached – no exceptions. Some student essays will be posted on-line at the
website. Students will also have the option of submitting assignments via
email: coasabirenglish1B@gmail.com
Textbooks Recap:
Allen-Taylor, J. Douglas. Sugaree Rising.
San Francisco: Freedom Voices, 2013. Print. ISBN: 978-0-915117-21-5.
Gardner, Janet E. Reading and Writing
about Literature: A Portable Guide. Third Edition. Boston: Bedford/St. Martin’s,
2013. Print. ISBN: 978-1-45-0649-6.
Edson,
Margaret. W;t (or Wit). United
Kingdom: Faber and Faber, 1999. (Any publication is fine 1995-on).
Juanita, Judy. Virgin Soul.
New York: Viking, 2013. Print. ISBN: 978-0-670-02658-6.
Lawn, Beverly. 40 Short Essays: A
Portable Anthology 4th Edition. Boston: Bedford St. Martin’s, 2013. Print. ISBN:
978-1-4576-0475-1.
Recommended:
Hacker, Diana. Rules for Writers. Sixth or Seventh edition. Bedford/St.
Martins. (If you don’t already have such a book.) Make sure the Sixth has the 2009 MLA update.
A college dictionary. I recommend American Heritage.
Daily/Weekly Schedule
Thursday, March 20—Free Day; Introductions
Tuesday-Thursday, March 25 &27:
This week we will review the basics of essay writing: thesis sentences,
organization, introductions and conclusions, topic sentences, rhetorical structure,
evidence, invention strategies such as topical invention, argument, exposition
and narration.
1. Common Writing Assignments: Summary Response, Explication, Analysis,
Comparison and Contrast, Essay Exams (Gardner 51)
2. The elements of dramatic literature: plot, character and theme, diction;
melody and spectacle, setting (Gardner 111).
Thematic Content & Reading Assignments
Introduction to Reading and Writing about
Literature; The Role of Good Reading; The Writing Process (Gardner 1-50)
We meet eight (8) hours a week except where noted. This means you have eight (8) hours of homework as this is a condensed or accelerated class. Good writers are also well read, so you will be doing a lot of out of class reading. Read ahead, read more than what is assigned. For the short stories, students will read 3-4 stories in addition to the ones in Gardner's R&W about Lit. and Lawn's 40 Short Stories.
We will decide together which novel we want to read as a class or read both (smile).
April 8-10 Short Fiction (Gardner 72) 40
Short Stories (Lawn 545-562).
April 15-17 Spring Break
April 22-24 Short Fiction (Gardner 130; 166) 40 Short Stories (Lawn 504; 514; 439; 484)
April 29-May 1 The Novel (Gardner 72)
May 6-8 Poetry (Gardner 96)
May 13-15 Independent Assignment Presentation
May 20-22
We will have student presentations each week, that is, students will review for
the class key elements and theories with examples and exercises. We will also
have guests. Students will write an essay in class each week for each genre.
The first is dramatic literature.
Students will also have a corresponding essay assignment for homework. We will practice the analytical skill in
class whenever possible and then students can try it alone at home.
There will be two essays per genre. The final essay is the
Independent Assignment where students can select a book or poem to write their
final analysis. It can be short fiction, a novel, a poem or a play. Students
will present the work the last day of class.
